Shimmering from the desert haze of Nevada like a
latter-day El Dorado,
Las Vegas
is the most dynamic, spectacular city on earth. At the
start of the twentieth century, it didn't even exist; at
the start of the twenty-first, it's home to well over
one million people, with enough newcomers arriving to
need a new school every month.
Las Vegas is not like other cities. No city in
history has so explicitly valued the needs of visitors
above those of its own population. All its growth has
been fueled by tourism, but the tourists haven't spoiled
the "real" city; there is no real city. Las
Vegas doesn't have fascinating little-known
neighborhoods, and it's not a place where visitors can
go off the beaten track to have more authentic
experiences. Instead, the whole thing is completely
self-referential; the reason Las Vegas boasts the vast
majority of the world's largest hotels is that around
thirty-seven million tourists each year come to see the
hotels themselves.
The telephone area code for all phone numbers in the
text, unless otherwise indicated, is 702.
Each of these monsters is much more than a mere
hotel, and more too than the casino that invariably lies
at its core. They're extraordinary places,
self-contained fantasylands of high camp and genuine
excitement that can stretch as much as a mile from end
to end. Each holds its own flamboyant permutation of
showrooms and swimming pools, luxurious guest quarters
and restaurants, high-tech rides and attractions.
The casinos want you to gamble, and they'll do almost
anything to lure you in; thus the huge moving walkways
that pluck you from the Strip sidewalk, almost against
your will, and sweep you into places like Caesars
Palace . Once you're inside, on the other hand, the
last thing they want is for you to leave. Whatever you
came in for, you won't be able to do it without
crisscrossing the casino floor innumerable times; as for
finding your way out, that can be virtually impossible.
The action keeps going day and night, and in this
windowless - and clock-free - environment you rapidly
lose track of which is which.
"Little emphasis is placed on the gambling
clubs No cheap and easily parodied slogans have been
adopted to publicize Las Vegas, no attempt has been made
to introduce pseudo-romantic architectural themes or to
give artificial glamour or gaiety."
- WPA Guidebook to Nevada, 1940
Las Vegas never dares to rest on its laurels, so the
basic concept of the Strip casino has been endlessly
refined since the Western-themed resorts and ranches of
the 1940s. In the 1950s and 1960s, when most visitors
arrived by car , the casinos presented themselves
as lush tropical oases at the end of the long desert
drive. Once air travel took over, Las Vegas opted
for Disneyesque fantasy, a process that started in the
late 1960s with Caesars Palace and culminated
with Excalibur and Luxor in the early
1990s.
These days, after six decades of capitalism run riot,
the Strip is locked into a hyperactive craving for
thrills and glamour. First-time visitors tend to expect
Las Vegas to be a repository of kitsch , but the
casino owners are far too canny to be sentimental about
the old days. Yes, there are a few Elvis impersonators
around, but what characterizes the city far more is its
endless quest for novelty . Long before they lose
their sparkle, yesterday's showpieces are blasted into
rubble, to make way for ever more extravagant
replacements. The Disney model has now been discarded in
favor of more adult themes, and Las Vegas demands
nothing less than entire cities . Replicas of New
York, Paris, Monte Carlo and Venice now jostle for space
on the Strip.
The customer is king in Las Vegas. What the
visitor wants, the city provides. If you come in search
of the cheapest destination in America, you'll enjoy
paying rock-bottom rates for accommodation and hunting
out the best buffet bargains. If it's style and opulence
you're after, by contrast, you can dine in the finest
restaurants, shop in the most chic stores, and watch
world-class entertainment; it'll cost you, but not as
much as it would anywhere else. The same guidelines
apply to gambling . The Strip giants cater to
those who want sophisticated high-roller heavens, where
tuxedoed James Bond lookalikes toss insouciant bankrolls
onto the roulette tables. Others prefer their casinos to
be sinful and seedy, inhabited by hard-bitten
heavy-smoking low-lifes; there is no shortage of that
type of joint either, especially downtown.
On the face of it, the city is supremely democratic.
However you may be dressed, however affluent or
otherwise you may appear, you'll be welcomed in its
stores, restaurants, and above all its casinos. The one
thing you almost certainly won't get, however, is the last
laugh ; all that seductive deference comes at a
price. It would be nice to imagine that perhaps half of
your fellow visitors are skilful gamblers, raking in the
profits at the tables, while the other half are losing,
but the bottom line is that almost nobody's winning. In
the words of Steve Wynn, who built Bellagio and
the Mirage , "The only way to make money in
a casino is to own one"; according to the latest
figures, 85 percent of visitors gamble, and they lose an
average of $665 each. On top of that, most swiftly come
to see that virtually any other activity works out
cheaper than gambling, so end up spending their money on
all sorts of other things as well. What's so clever
about Las Vegas is that it makes absolutely certain that
you have such a good time that you don't mind losing a
bit of money along the way; that's why they don't even
call it "gambling" anymore, but "gaming."
Finally, while Las Vegas has certainly cleaned up its
act since the early days of Mob domination, there's
little truth in the notion that it's become a family
destination. In fact, for kids, it's doesn't begin to
compare to somewhere like Orlando. Several casinos have
added theme parks or fun rides to fill those odd
nongambling moments, but only ten percent of visitors
bring children, and the crowds that cluster around the
exploding volcanoes and pirate battles along the Strip
remain almost exclusively adult.